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October 18, 2005

Rocky VI is a Go, Baby!!!

by Joshua Minton

Before you pooh-pooh the idea, take a step back and listen for second. Sylvester Stallone is one of the greatest American artists of the modern era and if you're laughing right now, when you stop, read my post about why he's such a great artist.

The new Rocky will be Adrian-less as he will be a widow and I imagine his son will be all growed up with kids of his own. He will step back in the ring just for the sake of competition (a-la George Foreman).

Rocky has never been about boxing but rather about (to get cliche and reference the theme song from Rocky V) "The Measure of a Man."

I, for one, can't wait to see what Stallone comes up with as I'm sure it will be a perfect cap to the life's end of an extraordinary American legacy (hopefully it will end up better than Michael Corleone's from Godfather III).

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October 16, 2005

Firefly is the Way Television Shows Should Be Made (But We Can Learn Some Things from Its Marketing)

by Joshua Minton

I went to see Serenity based on the review that Rob over at Podcast 411 gave (I laughed for five minutes when he spoke about how much he had to pee and couldn't get up because the movie was so good that he unbuttoned his pants and the guy next to him looked at him like he was Pee Wee Herman).

So, I went to see the movie in glorious UltraScreen Imax format and fell in love with the characters, with the story, and with the cinematic genius of Joss Whedon.

And, I finally broke down last week and bought the entire series of Firefly.

I held off for a couple days until I had the time to watch all of them because I knew that if the show was anything like the movie, I wouldn't be able to drag out watching the whole thing.

I started on Wednesday night and finished Friday night after a seven-hour marathon. The prognosis and autopsy on the show is thus: A Fantastic Tragedy (and I'm not talking about the plot line).

One of the most striking things about the show is the cavalier way that it accepts social solutions to the matters that carry the weight of life and death to us now.

For example:
  • Women are given a glorious and prominent role as strong figures that aren't politically motivated. They simply are just strong, even when they're soft like Kaylee. Unfortunately, the subtle brilliance of this seems to be found only in science fiction because other genres seem to want to make a point of the matter ("Look at how strong I am as a woman in a man's world, blah, blah, blah...)

  • Homosexuality isn't debated as a matter of choice or genetics or as a moral and spiritual crisis. It simply is and the characters accept it and move on (just like we should)

  • The characters use Chinese phrases as a kind of "high" speech similar to the use of proper English in Stephen King's The Dark Tower series. This series takes place hundred of years after our present world, so this is a realistic look at what language will be like after the world's two superpowers collide (and probably destroy the world). I found this facet particularly fascinating because I took three years of Mandarin in college and was able to understand many of the Chinese dialogue.

  • I was horrified by looking back on the lack of network support for a producer who had a very popular audience with Buffy the Vampire Slayer and Angel.This is just one more example to me of the death of the television network as we know it.

With the onset of video iPods and the licensing of the sale of individual television episodes, a new venue is opening up for talented writers, directors, and producers. The ability to direct, edit, and produce High Definition work on a decent PC with good software means that anyone can be a studio and produce their work by marketing it on the Internet and using traditional offline techniques.

The fan base for this show did something fantastic--they kept its memory alive and made a loud enough noise that a film studio eventually woke up and put up the means by which Serenity could be made. They used blogs, podcasts, solid Internet marketing techniques, and the brilliant idea of giving bloggers free sneak preview tickets to generate free buzz that other studio presidents would murder their own children to obtain.

The end result is that Firefly was a labor of love and it deserves a second chance. If the traditional studio system isn't willing to give the people what they want--perhaps its time to bypass the traditional studio system altogether and hand the microphone and the loudspeaker to the producer, director, writer, special effects person, and actor where it belongs.

I can't wait to see more of this show. I have faith that someone out there in Hollywood is going to do the right thing by Joss...and if they don't, give me a few years and I will!

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Related Posts (on one page):

  1. Firefly is the Way Television Shows Should Be Made (But We Can Learn Some Things from Its Marketing)
  2. The New Video iPod is About to Launch a Revolution in Television
  3. Serenity is How All Movies Should be Made and Marketed!

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October 14, 2005

Steven Spielberg is Going to Destroy the Film Industry

by Joshua Minton

...but he's also going to rebuild it.

He will be partnering up with EA Games to produce three distinct gaming titles that aren't tied to big-budget film productions.

Everyone knows that Hollywood and television productions have pretty much become flaming turds in the last year. Since the death of the sequel franchises of The Lord of the Rings and Star Wars, Hollywood has been putting along on fumes.

And don't even get me started on the lack of good programming on television (yet Firefly was cancelled by short-sighted lunatics).

But I believe that Spielberg's bold move here will fuse the creative input of video game afficianados with the best in cinematic production to merge the mediums into a brand new form of artistic expression which is much more culturally-based and administered by project teams.

It seems that gone are the days of the solipsistic artist who labors under the craft of their chosen medium. The art that sells today is collaborative work by teams working in concerted effort (if you don't believe me, watch all six hours of The Lord of the Rings Trilogy Extended Edition by Peter Jackson and WETA.

I look forward to the future and I am proud that Spielberg is leading the charge--but there is also a risk involved as far as the Spielberg brand. The whole thing could fall as flat as Stephen King's online serial novel The Plant back in 2000.

But what do you think?

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Spike Lee is Throwing His Race-Baiting Hat Into the Katrina Debacle by Planning a Film for HBO

by Joshua Minton

Spike Lee is going to infect the world with yet another dose of racial hatred and divisionary cinematic polemic.

I really enjoyed Lee's two movies Do the Right Thing and Malcolm X but I think that this is outright exploitation. Lee's intentions are very clear with this project:
[Lee] wouldn’t be shocked if rumors about government involvement in the flooding proved true.
If anything was demonstrated during Katrina, it was the government's incompetence to enact a successful project plan in the midst of a natural disaster.

The Bush administration would have gained far more GOP access to black voters by successfully rescuing thousands of doomed poor black people in the nick of time, than they would have by murdering a few thousand poor, unconnected, and uninfluential Democratic voters.

I think Lee's intentions here are a futile attempt to revive his stalled film-making career. And he refuses to acknowledge that as an artist, you can only draw a frame around a social situation so many times and unless you are willing to pierce that frame and allow your audience an artistic breakthrough, they will leave you and history will forget your artistic exploits as those that could have soared but instead only hovered.

But What Do You Think?


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