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June 18, 2005

Why I'm Glad I'm Not a Minority Writer

by Joshua Minton

I'll admit that I used to be jealous of my compadres who were minorities in my BFA Creative Writing program. (there may have been like three and Tran is the only one I keep up with). The rest of us were just crusty white kids with no rhythm. (I do have rhythm when I'm playing guitar but have no chance in hell of winning any dance contest).

So, I used to be a little jealous of the amount of anger material these minority writers had access to. I mean, Tran was Vietnamese, the child of (I believe) first generation Americans. So, Tran had the Vietnam war to use as a world-event that affected his life without his choice.

There is a lot of inspiration in one's cultural identity but if that inspiration doesn't allow the artist to create works that break past the illusory bonds of time and space to that oneness that unites us all then the art won't last and won't have quite the impact the artist hopes it will. In fact, here is a definition of good art you can copy paste into your brilliant quotes file. This one comes from yours' truly, Uncle Josh:

"Art (with a capital A) is all about using the contemporary forms of time and space (people, objects and their relationships) to blow apart the phenomenal differences that keep us each locked into what appears to be an inescapable prison (our own egos which are composed of our experience and emotional and intellectual reactions to the present moment, from which we project the future)."
But it is in this projection of the future where humanity's greatest certain unalienable right exists--the right of the choice about how to act this moment. It is freedom of choice about how to act in the moment (in other words, creating their reality in the moment through sheer will) that allowed people overcome atrocities like The Holocaust where every bit of security involved in associating through one's cultural identity was removed completely and the individual was reduced to a scrounging animal. This is the point where survival of the fittest and preservation of self becomes king and the social morays simply drop away like burning paper mache.

I have studied The Holocaust passionately now for sixteen years. I completed course upon course in college and have read book upon book about those twenty years in Germany that saw Hitler's rise to power and a decimation of a culture almost as old as humanity's recorded existence.

I have long asked why when thinking about the Holocaust. This is a very hard question because you are essentially asking for a sum value of millions of peoples' lives in terms of a historical lesson (and what historical lesson could be worth the lives of over 150 million who died in a World War which was the direct result of one man and his dream team of terror?).

But here is my why from The Holocaust--individual freedom emerged intact despite the fact that untold masses of individuals were murdered and had their most sacred identities taken away--their cultural or group identification.

There is enormous associative power in group identification--that is why we are constantly being told to choose, in the moment, which social group we define ourselves as--black, white, gay, christian, conservative, liberal, rich, poor, etc. There is a certain amount of creative inspiration to be derived from one's social group, but if you examine this inspiration closely you will see that the majority of art that comes from this source is usually so infused with the anger that comes from the tallying of group suffering that it has no breakthrough into the transcendent mystery which lies beyond time, space and our petty egos (which only last as long as we draw breath; the spirit is eternal and therefore incorruptible or haven't you got that memo yet?).

So, while minorities may have a lot of inspiration to draw from that produces some great Saturday Night Live and Dave Chappelle skits, most of these are without any true breakthrough; they are improper art, using the artistic aesthetics put forth by James Joyce in A Portrait of the Artist as a Young Man.

In-group anger can only take an artist as far as they are willing to ultimately let it go completely. Only by willingly letting go of our social identify and, ultimately, our individual identities in the moment, can we touch the true source of inspiration which lies inside each of us like a platinum encased diamond nugget at the centers of our being.

In fact, this is the exact message that I wrote about in my short story Pyrite.

I spent a lot of my late teens and early twenties being angry for other groups of people because my group identity (middle class white kid in a sea of other middle class white kids) was the system of oppression and the source of much of their anger. But I'm through being angry and I'm through defining myself with abstract concepts; I'll leave that to the hacks and has-beens. I'm going to do my best to teach this concept of artistic aesthetics to other talented artists so that they too may find that thorny and weeded path inside themselves that will take them to the platinum crusted diamond that waits for them within.

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June 11, 2005

My Question for Congress

by Uncle Josh


You've got to hand it to any man that gets an itch in his craw to say things as he sees them. For too long in America have we looked to our elected officials as "leaders." Ever since FDR, the media has been building up and breaking down our President like he becomes some kind of Dancing Shiva who calls us to Enlightenment with one hand and to our certain death with the other.

But here's the deal for those of you that have never read The Declaration of Independence or the Constitution--the People are the leaders and it is from this body of leaders that elected representation gets chosen to take the People's concerns about government to the government.

America was founded upon steel resolve and, sometimes, outright murder. The enemies of America have morphed skin colors and belief systems but it has always been essentially the same enemy--collected power being wielded against the freedom of the individual. Yes, sometimes we have slipped from this definition when justifying attacking other nations but such is the nature of dumb human beings making decisions in the dark points of history which aren't as clear in the context of the moment as they are with the benefits of time, research and exposition.

But the problem is that we common citizens are no longer steely resolved individuals acting in their own best interest in light of how they affect their family, friends and community.

American citizens today have been raised in a Matrix-like incubation tank of dependency and submission where they have been threatened for so long by laws that are supposed to curb "collective" behaviors that are being acted out on an individual level and therefore must be dealt with on an individual level (this means seeing worth in every human being and is something our government has had, ahem, a hard time always doing).

The worst thing that ever happened to this country is that it became able to be addressed under the term "American Culture." It used to be that individuals made the culture around them, shaping the world like John Gault, despite the actions of the parasites and thieves who feed off the hard work of others.

But now it is some abstract notion of culture that creates individuals who aren't individual at all, but rather they are automotons doing the locomotion in a perspective line dance that seems to go on forever but has a very definite, abrupt and surprising ending.

It's been a long time since we've had true leaders in Washington and if I could stand before Congress and ask any question and be guaranteed of the answer, it would be this:

WHO THE FUCK HAS BEEN RUNNING OUR GOVERNMENT FOR THE PAST 100 YEARS WHILE YOU HAVE CONSPIRED TO MILK THE AMERICAN CITIZEN FOR THE HARD EARNED PRODUCT OF THEIR LABOR?

What legacies do you think Congress today is leaving for their ancestors, a bunch of wooden "gotcha laws" that has driven the fear of law so deep into the populace that very few are capable of understanding the benefits of taking calculated risks anymore? If that is their idea of legacy, then I wish George Washington would have just surrendered instead of crossing the Delaware river to regroup and beat the enemy outright. It's a damn outrageous shame to have fallen so far in the eyes of our forefathers. Let us make a pact to change the direction of this sorrowful series of political decisions on the part of the leaders of all nations in the last 100 years.

Don't forget that we are here to learn, evolve and get the fuck off this planet.

MARS, BITCHES!!!!

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June 5, 2005

Classic Minton Dickhead Quote...

by Uncle Josh

According to Accuweather, the Real Feel in Columbus, OH today is 106 degrees F. I don't even go outside on days like this and to think that they're playing the Memorial Tournament at Muirfield in this crap today.

Anyway, I was looking out the window today, watching the heat steam from the wood deck, dreading grilling out there later on, when I was struck with a compassionate thought that quickly turned Costanza.

I actually said this sentence out loud and the pause represents the second it took to get the punchline.

"I feel sorry for all the homeless people that have to walk around in this crap...but they ain't coming into my house either."

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